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What?

The visual example is the most effective in order to understanding this new style. Little by little, paintings by other hyper-impressionistic artists will be added.

What?

The visual example is the most effective in order to understanding this new style. Little by little, paintings by other hyper-impressionistic artists will be added.

Why?

This new style is born from the fusion and inspiration of other styles, that is why its exact definition is necessary.

Why?

This new style is born from the fusion and inspiration of other styles, that is why its exact definition is necessary.

Who?

I am a self-taught artist and trying to fit my art into one of the already established styles I realized that I could not and it became imperative to define my style. Later I have verified that many other artists could also be defined as Hyper-impressionists.

Who?

I am a self-taught artist and trying to fit my art into one of the already established styles I realized that I could not and it became imperative to define my style. Later I have verified that many other artists could also be defined as Hyper-impressionists.

What is Hyper-impressionism?

'An image is worth a thousand words'
Although this initiative is started by me it is clear that today there are many artists whose style could well be defined according to the characteristics reasoned in this manifesto and I hope that they could make themselves known.
Nothing explained here would be real if it is not illustrated with images, so then I show some of my works more consistent with what I have called Hyper-impressionism. You can see many more in more detail at www.socrates.gallery

DEFINITION

Why Hyper-impressionism?

Hyperimpressionism vs Hyperrealism

In Hyperrealism there are no discernible traces of brush strokes and the artist seems to be absent. The works are painted with a thin coat of paint, applied sometimes with different mechanical tools to brushes and even are scraped to avoid relief or traces of manufacture.
In the Hyperrealism it is sought the accuracy of details, while in Hyperimpressionism the use of the details is an approximation to reality, necessary to make a convincing scene.
As hyperrealism or Fotorealism, Hyperimpressionism uses photography as a source and media, although for the first ones is also the aim, or what is the same, Hyperrealism photograph reality through pictorial resources, faithfully reproduce photographs to make the painting totally look like a photograph, and Hyperimpressionism, however, look at in the fusion of colors and forms an approximate reality, nearby, but never exact.


Hyperimpressionism vs Impressionism

Hyperimpressionism cultivates so many common aspects with Impressionism that you could say that is an extension of this style.
The two styles converge, roughly, in trying to capture the light and the moment, that is to say, they paint the over the shapes that underlie this.
If blurred and vaporous and faded surfaces is exclusive of Impressionism, Hyperimpressionism generally defined very well forms and figures, or with the contrast between lights and shadows, or the contrast between colors or with both.
If Impressionism is characterized by the use of pure or saturated colors, mainly oil, thanks to the creation of new pigments in the second half of the nineteenth century, in Hyperimpressionism goes a little further in this aspect and the colors are even more vibrant and brilliant greatly enhanced by the use of products from industrial sources such as enamels or acrylics.
As for the technique both styles share its fundaments in the Gestalt theory, which, even being this postulation subsequent to Impressionism agree on the intention to plastically show that if certain conditions occur, unconnected parts result in a unitary whole, or what is the same, isolated brushstrokes that do not obey the local color or shape of the model being perceived by the viewer globally result in a fully defined.

INITIATIVE

Who is behind
Hyper-impressionism?

My name is Sócrates Rízquez and I admit that to all the artist we like to speak about "our own style". It seems that feeds us our ego when we label our style in an academic way, with own name, unique and different name from other colleagues. All we think that we have invented something new and personal, recognizing many influences as necessary but wanting to leave our own "mark" in the history of Art.

And this could be my case, but even painting "my way" I am fully aware that worldwide there are, and there have been more artists whose painting style matches with this brand new style that I do not intend to establish, but naming. And it is that this group of distinguishing characteristics that we share when creating don't have, to date, a name that defines it independently of already known and studied styles, even receiving influences of some of them.
Personally I conceived the term Hyper-impressionism (Hiperimpresionismo in Spanish) as a result of studying conscientiously my own work and also the origins, foundations and influences that lead me to paint the way I do.
The first conclusion we have reached is that the unique technique I use in my work is what has led, not without some evolution, in this style. I use to paint a quite unprecedented medium in Fine Arts, and even less with this level of success in the results. This medium is the synthetic enamel and using it in the realistic paintings results, in technical terms, in results that resemble Impressionist painting. The fast drying (almost immediately) does not provide anything the dithering or mixture of tones and colors in the painting, giving as resulting rapid strokes but intended and deliberated, but with that Impressionist air with precision in the brushstroke in order to get the moment and reflect as faithfully as possible and actual scene.

CONTACT INFO

Guadix, Granada - ANDALUSIA
SPAIN


infosocrates.gallery


+34 620 753 646


More examples at:

www.Socrates.Gallery


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Smart Quotes

Just a little bit of wisdom

Manifesto of Hiperimpressionism
Fusing Spontaneity and Detailed Perfection
Hyperimpressionism emerges as a new pictorial movement, whose origin lies in the fusion and modern reinterpretation of two established styles: Impressionism and Hyperrealism. This revolutionary synthesis seeks to redefine the paradigms of visual art through a creative evolution that incorporates the best of both styles. In this manifesto, we will explore and delineate the foundations, aesthetic principles, and distinctive characteristics that define Hyperimpressionism as a unique expression in the realm of contemporary art.
 1.-

Synthesis of Movements:
Hyperimpressionism represents an innovative synthesis of two historical movements: Impressionism, known for its focus on capturing fleeting light and atmosphere, and Hyperrealism, which seeks detailed and precise representation of reality. Although both styles differ in their technical approach, they share a commitment to authentic representation of the human experience.

 2.-

Dual Visual Experience:
A distinctive feature of Hyperimpressionism is its ability to generate a dual experience in the observation of the artwork. From a certain distance, the painting may be perceived as a perfect and almost photographic scene, but upon closer inspection, the spontaneous and defined strokes that compose the work are revealed, exposing the artist's hand and creative process, inviting the viewer to a more intimate exploration.

 3.-

Light and Vibrant Colors:
Hyperimpressionism is distinguished by its bold and vibrant use of the color palette. Intensified and saturated colors are used to express emotions and create dynamic compositions that capture the viewer's attention and stimulate their senses. A luminosity is sought that accentuates the atmosphere of the scene, offering an immersive visual experience.

 4.-

Spontaneous and Precise Brushstrokes:
Hyperimpressionist artists employ gestural and sometimes bold brushstrokes, combining the spontaneity of the gesture with the precision of the stroke. This unique technique allows capturing the essence of the moment and conveying a sense of vitality, movement, and dynamic tension in the work.

 5.-

Exploration of Perception:
Hyperimpressionism seeks to explore and reinterpret reality from various perceptual perspectives. Through the composition of everyday scenes and the capture of the perfect moment, artists seek to challenge visual conventions and expand understanding of the world around us. Hyperimpressionism captures the ephemeral essence of everyday moments, a direct inheritance from Impressionism.

 6.-

Commitment to Inner Beauty:
In Hyperimpressionism, the pursuit of beauty and truth within reality is celebrated, even when it may be hidden or overlooked. Artists seek to reveal the depth and complexity of the human experience through their work, leading the viewer to a deeper contemplation.

 7.-

Atmosphere and Perspective:
Hyperimpressionist paintings are imbued with a unique atmosphere, achieved through careful representation of perspective and depth. This attention to detail contributes to the viewer's sense of immersion in the represented scene.

 8.-

Recognized Influences:
Hyperimpressionism is a movement built on the foundations of Impressionism and Hyperrealism, but it also draws from a wide range of artistic influences ranging from Post-Impressionism to Expressionism. This combination of influences results in a distinctive pictorial style that seeks to reinterpret reality in an emotional, subjective, and vibrant way.

 9.-

Celebration of Stylistic Diversity:
Within Hyperimpressionism, the diversity of styles, perspectives, and artistic approaches is celebrated. Each artist brings their unique voice to the movement, enriching collective expression and expanding the boundaries of what is possible in visual art.

10.-

Historical and Social Context:
The emergence of Hyperimpressionism is contextualized in a moment characterized by a saturation of abstract, conceptual, experimental expressions, and artificial interventions, thus arising the need to reaffirm the importance of reality in art. In a world marked by the rapid pace of change and the complexity of the human experience, the movement seeks to offer an authentic and meaningful reflection on our shared reality. Ultimately, it seeks a reconnection with the tangible and the concrete that revalues the everyday and the mundane.

In summary, Hyperimpressionism represents an exciting evolution in the landscape of contemporary art, challenging established conventions and seeking new forms of visual expression. With its unique fusion of styles, techniques, and concepts, the movement invites viewers to a deeper exploration of reality and the human experience. In an increasingly diverse and complex world, Hyperimpressionism reminds us of the importance of creativity and contemplation in our search for meaning and beauty in the world we inhabit.